In the following pages I will analyse the sequence of the killing of Sara and Carlo. The beginning of this sequence, from a narrative point of view, is previous to the point in which the analysis begins (it could be when Sara arrives by taxi in front of her house). It has been chosen, instead, as the first shot the master of the hallway of Sara's flat, the location in which all the rest of the sequence is set. Note. A.S. = American Shot (all the human figure, from the head to the knees); W.F. = Whole Figure (from the head to the feet); M.S. = Medium Shot (the human figure occupies about 1/3 or 2/3 of the screen); L.S. = Long Shot (the human figures almost disappear in the ambient); C.U. = Close Up; V.C.U. = Very Close Up; TOT = Total (a shot embracing the place of the action and the characters).

Shot		Visual Track		Soundtrack
No.	Length	Camera movements Characters' movements Elements on the scene Notes on the lighting		Dialogue (voices)	Noises	Music
01	1	M.S., fixed, horizontal	Hallway of Sara’s flat, with red light, and a part of the living room, with blue light.	/	/	/
02	7"	H.F., l-r trav. Ending with a short forward trav., horizontal	Living room; Sara enters first, from the left, then the camera follows Carlo, entering after and going to the couch.	Carlo: “What do you do, Sara? Do you study or work?” Sara (o.s.): “I study music”	Steps	/
03	3"	M.F., fixed, horizontal	Sara, giving her back to the camera, going to the turntable.	Sara: “And what do you do?” Carlo (o.s.): “I’m a journalist”	Steps	/
04	1"	A.P., fixed, horizontal	Carlo, standing in front of the couch, talking to Sara, off screen, at his left.	Carlo: “Television sport reports”	/	/
05	3"	A.P., fixed, horizontal	Sara is bent towards the turntable, then, when she talks, turns to Carlo, off screen, at her left.	Sara: “Can I ask you something weird?”	/	/
06	2"	Like 04	Like 04	Carlo: “How weird?”	/	/
07	3"	Like 05	Sara talks to Carlo, o.s., turned to her left.	Sara: “Have you ever heard about the three sisters?”	/	/
08	2"	Like 04	Like 04	Carlo: “You mean those black singers?” Sara (o.s.): “No…”	/	/
09	4"	Like 07	Like 07	Sara: “I mean that ancient myth, the Triad” Carlo: “No, wait…”	/	/
10	3"	Like 04	Like 04	Carlo: “… if you’re talking of ghosts or stuff, I’m sorry, but I don’t believe in those things”	/	/
11	3"	Like 07	Like 07, then Sara bends towards the turntable behind her.	Sara: “How can you be so sure?” Carlo (o.s.): “I don’t believe in them, I don’t and that’s all”	/	/
12	3"	Like 07	Like 04	Carlo: "Without any philosophical arguing"	/	/
13	2"	Like 07	Sara stays up for a second to talk with Carlo, then she bends down picking the turntable's arm.	Sara: "So, what do you believe in?"	/	/
14	5"	Like 04	Carlo stands, then, after he speaks, sits on the couch.	Carlo: "In everything I can see… and touch (little laugh)"	Noise of Carlo sitting on the couch	/
15	34"	A.P., fixed, then short pan to the left, horiz.; at the end we have a H.F.	Like 07: Sara looks at Carlo (o.s.), then turns to the turntable and put the arm on the record. When the music begins she stands up and goes a bit forward, talking to Carlo (o.s.) at her left. When she finishes to talk, bends her head downward to her left and then turns it slowly till she sees upward to her right.	Sara: "You probably know this music: it is Verdi's Va' pensiero".	Steps	Verdi's Va' pensiero begins (intradiegetic music), that will last till the end of the sequence
16	5"	Master, fixed, slightly from below	The window of the living room, with the full moon covered by the clouds.	/	/	First strings forte
17	5"	Like 16	A part of the window, the sky and the moon, without clouds..	/	/	Second strings forte
18	5"	Like 16	Only the moon.	/	/	Third strings forte
19	16"	H.F., short pan left-right, then forward zoom to a C.U., horizontal	Sara enters from the left, then sits on the bed in her room, takes the telephone and dials a number; then she takes the letter (not seen) from behind her back.	Sara (at the phone): "Is it you, Mark? Here I have your sister's letter you forgot in the academy"	Noise of Sara sitting on her bed; noise of free line of the phone; noise of the dial; rustle of the letter.	The Va' pensiero continues, some measures before the entrance of the choir
20	2"	M.S., fixed, horizontal	Between Sara’s bedroom opened door and part of the wall it is visible the living room: Carlo is on a couch, skimming through a newspaper: at the end he turns to the camera.	Sara (at the phone, o.s.): “Listen, have you read it?”	/	Enters the choir of Va’ pensiero.
21	5"	Like 19	Sara on her bed, talking at the phone.	Sara (at the phone): “You must read it, it’s important! Come here now, please. I need to speak with you!”	/	The choir continues
22	9"	Detail, fixed, slightly from above	A pair of black gloved hand pull a row of little black paper men, then, starts to cut the head of one of them using a pair of scissors.	/	/	Like 21
23	2"	Detail, forward zoom, slightly from above	A lizard that keeps in its mouth a white butterfly, still moving.	/	/	Like 21
24	1"	Like 22	The gloved hands cut the second paper head.	/	/	Like 21
25	2"	A.P., slight forward zoom, from above	A hanged woman violently swings, with her eyes and mouth open.	/	/	Like 21
26	1"	Like 22	The gloved hands cut the last two paper heads.	/	/	Like 21
27	3"	Master, forward zoom, horizontal	Sara’s building, taken from outside, then the central window.	/	/	Like 21
28	5"	H.F., fixed, horizontal	Sara listens to the music sitting on her bed. The light goes away (blue lighting) and the music stops: Sara looks to her left, then to the right, to the lamp. Finally the light and the music are back on.	/	/	The choir continues: when the light goes away, the music stops.
29	1"	Detail., fixed, horizontal	The lights goes away in the hallway.	/	/	/
30	2"	Like 01	as 29; light. as 28;	/	/	as 28
31	3"	C.U., fixed, horizontal	Carlo, sitting in the dark, slowly turns to the camera.	/	/	/
32	2"	Detail., fixed, horizontal	The lamp turns on, then off, then on again.	/	/	Like 28
33	3"	Like 28	Sara sits on her bed: the light and the music turn on and off for three times. Then she speaks to Carlo, o.s., to her left.	Sara: “What’s happening?”	/	Like 28
34	2"	Like 20	Between the bedroom door and the wall it is visible the living room and Carlo sitting on the couch. The lights turn on.	Carlo: “I don’t know. Maybe a loss…”	/	Like 28
35	5"	Like 28	Sara is sitting on her bed, looking to the right and the left. The light goes away and she screams, to her left, towards Carlo, o.s.	Carlo (o.s.): “…of tension” Sara: “Carlo!” Carlo (o.s.): “Yes”	/	Like 28
36	3"	H.F., fixed, horizontal	Sara sits on her bed: the light and the music turn on and off for three times. Then she speaks to Carlo, o.s., to her left.	Sara: “What’s happening?”	/	Like 28
37	3"	Like 28	The lights are on again: Sara is sitting on her bed, talking to her left. Then the lights go away another time.	Sara: “It’s in the cellar, over there, at the end of the hallway…”	/	Like 28
38	12"	Like 36; then short dolly upward, lateral trav. left-right, and following trav.	Carlo is sitting on the couch, in the dark; then he stands up, the light and the music come back and he goes from the coach to the hallway at his left. Then again the lights go away.	Sara (o.s.): “…but please, don’t go there!” Carlo: “Don’t worry, I just want to check the switches” Sara (o.s.): “Ok, but keep talking to me, let me always know where you are!” Carlo: “All right”	Steps	Like 28
39	15"	TOT, forward trav., horizontal	Subjective of Carlo, who goes on through the hallway, in the darkness.	/	/	/
40	5"	Like 28	Sara is sitting on her bed, in the darkness.	Sara (panting): “Carlo? Carlo, where are you?”	/	/
41	2"	Master, fixed, horizontal	The dark hallway.	Carlo (o.s.): “In the cellar, I’ve found the switches”	/	/
42	5"	Like 28, then short upward dolly.	Sara is sitting on her bed; then she stands up and goes leftward off screen	Sara: “Wait, I’m coming, I’m frightened”	Steps	/
43	2"	A.P., pan right-left, horizontal	Sara strides through the living room and hits something that falls on the floor breaking in pieces. She turns to see what happened.	Sara: “Ah!”	Steps; noise of broken glasses	/
44	1"	Detail., fixed, from above	Pieces of glass on the carpet.	/	/	/
45	1"	Detail., fixed, from above	Pieces of glass on the carpet.	/	/	/
46	9"	M.F., following hand camera, horizontal	Sara rapidly walks through the hallway, which initially is in the darkness, heading to the door at the end of it. She often looks back. The light and the music come and go for three times. At the end, with both the light and the music on, Sara enters the cellar door.	Sara: “Carlo? My God, Carlo? Carlo, what’s happening?” Carlo (o.s.): “Nothing, I guess I’ve fixed it”	Steps	Like 28
47	5"	M.F., preceding hand camera, slightly from above	Sara goes through the door and makes some step, looking inside the dark cellar with a worried expression.	Carlo (o.s.): “You see?”	/	The choir of Va’ pensiero continues
48	3"	C.U., fixed, horizontal	Carlo pops out from the left: he kneels down, with a knife in his neck.	/	/	Like 47
49	1"	H.F., fixed, horizontal	Sara looks at Carlo with horror.	/	/	Like 47
50	4"	C.U., very short forward trav. , horizontal	Carlo opens his mouth: a rill of blood comes out. Then he bends forward, to the camera.	/	Sara’s screams	Like 47
51	2"	Like 49	Carlo grips on Sara dragging her on the floor.	/	Sara’s screams	Like 47
52	2"	C.U., fixed, from above	Sara tries to free form Carlo’s grip: his hands are on her shoulders.	/	Sara’s screams	Like 47
53	1"	C.U., fixed, from below	Gushes of blood come out of Carlo’s mouth.	/	Sara’s screams and Carlo’s gurgling	Like 47
54	1"	Like 52	Like 52	/	Like 53	Like 47
55	1"	Like 53	Like 53	/	Like 53	Like 47
56	4"	F.F., fixed, from above	Carlo is on Sara, who tries to escape.	/	Like 53	Like 47
57	1"	C.U., fixed, horizontal	Carlo is agonising on Sara.	/	Like 53	Like 47
58	2"	C.U., fixed, slightly from above	Carlo’s hands, covered with blood, touch Sara’s face.	/	Like 53	Like 47
59	1"	Like 57	Carlo is almost dying, and he looks up to his left.	/	Like 53	Like 47
60	1"	Like 58	Sara keeps wriggling.	/	Sara’s screams	Like 47
61	1"	Detail., fixed, horizontal	A gloved hand comes out from a curtain.	/	Like 60	Like 47
62	7"	Like 56	Sara keeps wriggling, trying to turn and to get on her hands and knees twice.	/	Like 60	Like 47
63	1"	Like 57	Carlo is agonising.	/	Like 60	Like 47
64	3"	C.U., fixed, slightly from above	Sara is free and she looks back.	/	Sara’s groans	Like 47
65	1"	C.U., fixed, horizontal	A black gloved hand takes the knife still thrust in Carlo’s neck.	/	Carlo’s groans	Like 47
66	1"	Detail., fixed, horizontal	The hand abruptly extracts the knife and goes off screen on the right.	/	Carlo’s screams	Like 47
67	1"	Detail., fixed, horizontal	The knife covered with blood enters the screen from the right.	/	/	Like 47
68	1"	Like 66	Carlo, with his mouth wide open, turns his glance up to his left.	/	Sara’s groans	Like 47
69	1"	Like 67	The knife goes off screen to the right.	/	Sara’s groans	Like 47
70	1"	V.C.U., fixed, horiz.	Carlo is with his mouth open, turned to his left.	/	Sara’s groans	Like 47
71	2"	C.U., fixed, horizontal	Sara is seen on three-quarter, from behind.	/	Sara’s groans	Like 47
72	1"	C.U., hand camera with slight movement downward and leftward, from above	Carlo falls on the floor.	/	Sara’s groans	Like 47
73	1"	C.U., fixed, horizontal	Sara hardly stands up: her face goes off screen to the left.	/	Sara’s groans	Like 47
74	1"	Detail., fixed, horizontal	Sara is almost standing up, when the knife enters the screen from the right and penetrates in the lower part of Sara’s back. This hit pushes Sara forward and her body goes off screen to the left.	/	Sara’s screams	Like 47
75	2"	C.U., fixed, horizontal	Sara opens her mouth for the pain and bends forward, till she goes off screen down on the left.	/	Sara’s screams	Like 47
76	12"	H.F., fixed, slightly from above	Sara, flat out, tries to extract the knife from her back, with no success.	/	Sara’s groans	Like 47
77	1"	C.U., fixed, slightly from above	Carlo is dead on the floor.	/	Sara’s groans	Like 47
78	2"	Detail., fixed, horizontal	The gloved hand closes a door.	/	/	Like 47

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